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Archive for the tag “William S. Friday”

Movies, Monkeys, and the Music in my Head

 

28 days later

There’s music playing in my head right now.  Not the kind you’d expect.  Not the Sirius XM playlist kind of music that some invisible algorithm picks for you from somewhere in the black bowels of your emo soul.

It’s something more insidious.

When I was 20, I had a job in retail, selling wallpaper and other equally inane home decor products for a nationally known chain of stores owned by an international breakfast cereal conglomerate.  And no, I could not make that shit up if I sat down hard and tried.  Anyway, this nationally known chain of stores, owned by an international breakfast cereal conglomerate did not play well-known music over the ceiling speakers for the customer’s in-store pleasure.  What they played was a six-hour, continuously looped, instrumental audio tape of songs, scientifically created… or so we were told in training… to stimulate the shopper’s brain in such a way as to create in them “an innate desire to purchase” on a purely subconscious level.

Such was the weird science of the early 1980s.

Whether or not these musical cues actually stimulated our customer’s amygdaloidal behavior to the tune of windfall profits was unclear to me then, just as it is to me now.  But what I can recall clearly was how we just-above-minimum wage employees responded to being in the presence of these sounds, day in-day out, for however long each of us worked there.

Did you ever see the film 28 Days Later?  Yes?  Good.  That’ll make this explanation easier.  Remember the opening scene, where the eco-activists broke into the animal testing laboratory to free the captive primates from their cages, but found out, too late, that these primates had been infected with some chemical cocktail “rage virus” while being subjected to image after television image of non-stop human-on-human violence?  Remember what these primates then did to their liberators?  And remember what would become of the world only 28 short days later?

Yeah, I wonder what all that listening to shopper stimulation music ultimately did to those of us who worked for that nationally known chain of stores owned by an international breakfast cereal conglomerate in 1981.

Oh yeah, my actual point.

Remember when I said there’s music playing in my head right now?

I’m not so sure it’s a coincidence I thought of that music while sitting alone in a warehouse and wondering, is it really only two weeks…okay, 14 days, 22 hours, and 19 minutes… till I’m free from this 20,000 square foot chimpanzee enclosure?  And when I’m free, will I react like an adorable rage monkey?  Because, you know, writers can be pretty adorable when they’re raging.  Or will I act like Jim, the smooth-skinned, human in the story, who when awakened from a coma, must face an entire world now completely changed from the one he knew before.

Metaphorically speaking, and if you read me, you know, I’ve been in a type of coma since I started working the graveyard double-shift life last year.  This awakening of sorts that’s happening in June is me, coming to grips not only with my certain past, but my uncertain future as well.  I’m unsure how it’s going to go.

But I have it on reasonably good authority that it’s going to go better for me than it did for those adorable rage monkeys in the movie.

Tick-tock.

I’m about to wake up.

 

© Copyright 2017 William S. Friday

Baby Face Chinaski

baby fade chinaski

I don’t have time for your shit,

you post-pubescent misanthrope. 

Once upon a time,

when your ironic alter-ego roamed the streets,

and haunted the bars of dirty L.A.

like a piss-stained ghost,

you were yet a regret in your

bitch of a mother’s misbegotten womb. 

Although I don’t think I blame her

for how you turned out,

given how you beg for the teat

in every Facebook post of yours

I have ever read. 

Maybe I’ll listen to you

when you can grow a mustache

thicker than a row of pubes. 

Until then,

I will simply shake my head,

and comment less and less,

because the only two things you are listening to

in these last days of your misspent youth

are your own mewling laments of growing up too fast,

and the hollow sympathies of girls your own age,

who would sooner court the clap

than give you what you think will make it all better

for just one night,

before the sun rises in your sunken child-eyes,

and you post online once more.         

 

© Copyright 2017 William S. Friday

The Unemployment Compensation

lotus position

When I was twelve years old, I found a worn, black paperback book in my dad’s sock drawer.  Yes, THAT kind of book.  And being twelve years old, a lot of it didn’t make sense at the time. 

But, eventually it did.

That’s the way of it with most things we aren’t ready for yet.  We try to understand it the best we can, but until it’s actually our time, no amount of pre-adolescent want to is going to help move that sort of understanding along any faster than the universe deems fit.

However, in all my hindsight is 20/20 understanding of that paperback book, there were a few phrases my twelve-year-old self remembered better than others.  One of those was a sub-chapter called, “The Unemployment Compensation”.  Without going into much detail from the book, The Unemployment Compensation was the name given to one particularly unhurried tantric posture, best utilized by those who had nowhere to be, and were in even less of a hurry to get there.  In other words, if all you have is time, you might as well spend that time doing something you love.

Well, I’m not twelve years old anymore.  And a lot of things, in that book… and out… are a been there, done that proposition.  But some things that once held only a single meaning can, when the time of understanding is right, take on a whole new meaning when it’s your time to understand. 

Case in point, The Unemployment Compensation.

Four weeks from today I will, voluntarily, join the ranks of the unemployed.  And while the idea of leisurely tantric activities can still make me react like a precocious twelve year old boy, the idea of suddenly having the time…the precious time… to occupy myself in the free pursuit of something I love is even more exciting.

Over the last couple of years, I’ve written two books, while working an average of 60 to 70 hours a week.  Four weeks from today, I get 70 hours a week back in my life to do something I love.

And just so you know, like with all really good things, I’m taking a risk with this one.  I have no new job lined up, no golden parachute retirement package, no Sugar Mama.  I barely have any plans at all.  I guess what I’m doing, in the truest spirit of the phrase is, trusting the knowing universe for the compensation.  This doesn’t make me brilliant, and it doesn’t make me some brave pioneer.  What it makes me is a scared shitless creative, hoping that the compensation is worth the adventure.

And a lot of it still doesn’t make sense.

But if it’s okay with you, I’d like to share that adventure with everyone.

So keep reading.  I’ll keep writing.

 

© Copyright 2017 William S. Friday

To Walk Down a Dead-End Street

dead end

As an introvert with comically low

self-esteem,

I have made some truly awful

choices in my life.

But writing isn’t one of them. 

It’s true that a life of

settling for less along the path of least resistance

has given me

a point of view most successful creative folk never see,

and I can write from that view

as easily as breathe. 

But there is still

something missing,

and I don’t mean something missing from my

smalltime life. 

I mean something missing from my

genetic code

that enables others to whisper a resolute “fuck it”,

and move onto the

places where few go,

and fewer survive. 

I have always been,

for less than better,

and often far worse than that,

one who only moves forward with

a wall at his back,

and this time is no different. 

But it is

forward I must go,

because the only right direction to walk

down a dead-end street

is out.

 

© Copyright 2017 William S. Friday

Teach Me

teach me png

Teach me to laugh,

and you’ll teach me to cry. 

Teach me to think,

and you’ll teach me to die. 

Hold it against me,

and you’ll teach me to lie. 

Forgive me for all,

and I’ll only ask why.

 

© Copyright 2017 William S. Friday

Orphans

orphanage

I followed my feelings,

and got lost. 

I learned late.  

That shit only works in movies. 

In truth,

there are no heroes,

or prisoners.

No princesses,

or monsters.

Except those you imagine. 

But there is one part of the story that’s true.

We are all orphans,

left to raise ourselves

in the shadows we create. 

I want to be alone in the sun.

To be warm,

where nothing blocks the light.

Understood by all,

because all is only me. 

And if then lost,

the only absence I will know

is of the noise I left behind.

 

© Copyright 2017 William S. Friday

Echoes

I Raised a Generation

road png

This is my end.  

I raised a generation,

and now look back upon it. 

I raised a generation,

and the next in line to come;

beautiful,

and free from my spotted past. 

And in seeing,

think only that it is to this generation,

and the next,

that I am tied forever. 

One decision,

made so long ago,

that its beginning seems eternal. 

By one decision,

I am now grounded to this earth,

to this very spot on which I stand,

for the rest of my obligation of days. 

I will go nowhere. 

I will not find pleasure,

as a reward for years spent in hopeless,

loving duty,

but in dedication to my craft,

and to my legacy,

this generation,

and the next in line to come. 

This is my end. 

I raised a generation,

and if I am lucky,

one day,

I will know my place,

beneath this ground on which I stand.

 

© Copyright 2017 William S. Friday

The Theory of Tears

tears

Tears don’t scare me. 

I know people hate them,

in themselves and in others,

depending on just how manipulated

tears make them feel. 

Manipulated,

not by the tears,

but for the reasons they flow. 

There is a theory of tears,

known only by a few. 

Not by the ones who cry,

but by the ones who hold it in. 

They have learned

all the reasons for them,

and choose not to give them away. 

Unmanipulated,

and unmanipulating. 

They hold onto the tears

as tightly as they do the theory. 

Tears don’t scare me,

they say,

as long as I don’t have to see them.

At least that’s what their theory says. 

But the truth about

the theory of tears is this;

that tears are only scary

on the inside.

 

© Copyright 2017 William S. Friday

These People

OLYMPUS DIGITAL CAMERA

I watch a TV show

or a movie,

and I see friends. 

Human beings

who have friends,

friends who have

human beings

who are their friends. 

And I ask myself,

“How did these people

find each other?”

 

© Copyright 2017 William S. Friday

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